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Albrecht Durer
Three Mighty Ladies From Livonia
mk168
1521
Pen and ink with watercolor
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Albrecht Durer
Woman in Netherlandish artist
mk168
1521
283x195mm
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Albrecht Durer
Apollo and Diana
mk168
157x97mm
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Albrecht Durer
Adam
mk168
Oil on wood
209x81cm
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Albrecht Durer
Adam and Eve
mk168
252x195mm
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Albrecht Durer
The Madonna with a Carna-tion
mk168
1516
Oil on vellum
39x29cm
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Albrecht Durer
The Small Horse
mk168
164x109mm
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Albrecht Durer
The Large Horse
mk168
167x119mm
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Albrecht Durer
The Samll Horse
mk168
164x109mm
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Albrecht Durer
A Grayhound
mk168
145x196mm
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Albrecht Durer
Preparatory Study for the Engraving
mk168
Pen and ink on paper
246x185mm
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Albrecht Durer
Peaparatory study for the engraving
mk168
246x185mm
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Albrecht Durer
Equestrian Kninght in Armor
mk168
410x324mm
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Albrecht Durer
Kinght,Death and Devil
mk168
244x189mm
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Albrecht Durer
Pige Decoration for WIllibald Pirckheimer
mk168
300x210mm
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Albrecht Durer
The Four Witches
mk168
190x131mm
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Albrecht Durer
The Birth of Venus Urania
mk168
254x195mm
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Albrecht Durer
Arion
mk168
142x234mm
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Albrecht Durer
The Sea Monster
mk168
246x187mm
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Albrecht Durer
Sketch Sheet with the Rape of Europa
mk168
290x415mm
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| Albrecht Durer
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b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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